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Resale without rip-off: Japan’s closed-loop approach

by Martin Haigh

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The pain is real on both sides

by Tamás Kádár, Sziget

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I’ve always chosen shows that move me

29 Jul 2025

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UK Corporate Criminal Liability: What it means for ticketing

27 Jun 2025

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Queer acts are shaping the mainstream like never before

20 Jun 2025

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A creative blueprint for global growth

by Jonathan St-Onge, Moment Factory Originals

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What’s next for sustainable live music?

by Oltea Zambori, Electric Castle

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How Shakira made history in Mexico

by Jorge Cambronero, Ocesa

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Five key banking tips for touring artists

by Etiksha Patel, Lloyds Private Bank

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‘Cancel’ culture: artists vs sponsors

by Lewis Lawrence, Russells Solicitors

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Cigarettes After Sex are the blueprint in China

by Archie Hamilton

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How licensing bias is silencing black music events

by Charisse Beaumont

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Why you should run your business like a circus

by Duncan Fisher, Cirque du Soleil

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Our 2025 policy platform can empower the UK’s live industry

by Jon Collins

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Withholding tax: Where are we now?

by Steve Wren, SRLV

International Live Music Conference (ILMC) 2016

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Resale without rip-off: Japan’s closed-loop approach

The pain is real on both sides

I’ve always chosen shows that move me

UK Corporate Criminal Liability: What it means for ticketing

Queer acts are shaping the mainstream like never before

A creative blueprint for global growth

What’s next for sustainable live music?

How Shakira made history in Mexico

Five key banking tips for touring artists

‘Cancel’ culture: artists vs sponsors

Cigarettes After Sex are the blueprint in China

How licensing bias is silencing black music events

Why you should run your business like a circus

Our 2025 policy platform can empower the UK’s live industry

Withholding tax: Where are we now?

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